There are over 3 billion views on Miller’s YouTube channel because fans can’t get enough of what he left behind. Ciscero (Acapella) Mac Miller - Whats the Use Afreaux - Save Me Total Giovanni - When We Break Small Hours - Shoe Box Kaytranada - Youre the One feat Syd.
Miller was a sought-after rapper when he was alive, and he was able to make several collaborations, but his fame and notoriety have grown exponentially since his death. He was willing to share the details of his deepest mental health lows and his experiences with drugs and alcohol-fueled nights to connect with fans through his music. Mac Miller was a raw and real rapper who was never afraid to let fans see him. Most importantly, the refrain of the song is a question that all of us, in these difficult times, should remember and consider daily: Wouldn’t you rather get along? Top Mac Miller Songs, Final Thoughts Miller’s lyrics acknowledge the romance he feels for this person but also the imperfections of their relationship. There is also a stripped-down version of Miller delivering the song on the piano. It’s the kind of song that you enjoy well enough while listening to it but can’t seem to get out of your mind later. “Dunno” is one of Miller’s most unassuming songs that works magic on its listeners.
Miller is one of the few artists who I wish I started listening to earlier in my life. In the context of his death, this is not only unsettling, but incredibly heartbreaking.ĭespite this, Miller’s vocal performance and the huge chords of the chorus make for a wonderful listening experience and a memorable new end to the mixtape. The last song on this mixtape is one that wasn’t on the original 2014 release: “Yeah – bonus.” With its spooky tone driven by darker production and reliance on minor chords, Miller speaks about an existential fear of death and his worries that he had wasted his life. Miller’s flow and lyricism are great, but the production on these songs is a little too overpowering. “Malibu” and “What Do You Do” are both dominated by a droning organ synth and some syncopated percussion. While I appreciate the level of experimentation Miller does on this album, I find the production on a few songs to be questionable. The very first song, “Inside Outside,” opens up with Miller proclaiming that he “shoulda died already.” The rest of the song discusses his hopes to reinvent himself and heal from his substance abuse disorder, those which led to his death only four years later.
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His vocal and rap performances are full of energy and charisma, but despite the upbeat tone of the production and vocals, the lyrical content can be quite bitter-sweet. Listening to this mixtape after Miller’s death feels unreal and slightly haunting. Whether it’s the explosive horns of “Here We Go” or “Therapy,” or the glossy pianos on “Diablo,” the production takes me back to a time when everything seemed simpler, much like Miller’s 2010 mixtape “K.I.D.S.” This is a breath of fresh air from the trap-inspired sound that dominates rap music today. This gives the production, which includes bits of psychedelic influence and an emphasis on sampling, a very nostalgic feel. Don Diablo On Finding The Fast and Furious Vibe For New Music Video. The mixtape is not much different from its original 2014 release. With everything I heard about “Faces,” I went in with high expectations-and they were met. However, this past September, about three years after his passing, Miller’s estate announced that the mixtape would finally be released to all major streaming services on Oct. I never sat down to listen to this album largely because sample clearance issues and other red tape prevented it from being released on listening platforms Spotify and Apple Music. The late Mac Miller released his mixtape “Faces” in May 2014 to wide fan and critical acclaim.
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